#why i love gojo satoru

[yuwuta]

satoru physically withers and crumbles every time you return his belongings. he doesn’t know how to tell you that he can only accidentally on purpose leave his glasses on your nightstand, or his jacket on your couch, or his shirt in your laundry so many times before he loses his mind. every time you don’t take he bait, he folds into himself and wonders why you don’t love him anymore and it costs him $22.50 to hear ieiri tell him to suck it up and use his words because he literally has to buy her company (and drinks).

but when you do take the bait, when you do wear his things, satoru thinks it’s all worth it. he can’t explain why it does what it does to him. it’s a sinister kind of possession he wants to have over you, knowing you���re your own person, free to do as you please, but also knowing you’re caged in him. it’s a lovesick kind of gooeyness that melts his heart seeing you fumble with the sleeves of a sweater that’s too long for you. it’s the vision of you seeing you drowning in him—in his clothes, in his things, in him, in him, in him. he’s selfish, he wants to consume you in as many ways as possible, wants you to drown in him, would die happily knowing you were one tenth as enraptured by him as he is with you. he doesn’t know how or why or when you gained so much power over him, but he doesn’t care, he doesn’t want you to ever stop, so if he has to keep pretending to leave his clothes and bags and glasses around then so be it.

[drenched-in-sunlight]

thinking about how to Gojo, love is “the most twisted curse of them all”, and that’s what he wields to battle Sukuna, leaving him with a broken heart and so much openings that guarantee his kids’ chance at winning in the end.

because “curses can only be exorcised by another curse”.

after Gojo died, there are 5 or 6 instances where they use something along the line of “Sukuna couldn’t do this & that because of his battle with Gojo”, hell even Sukuna himself admitted that.

And the thing is i think Sukuna didn’t realize that. He thought Gojo was greedy for also going on about the love and solitude route, he didn’t realize Gojo viewed Love differently from Yozoru and Kashimo. to Gojo LOVE IS A CURSE.

Sukuna didn’t realize Gojo was putting a curse on him.

You know, it used to haunt me for years what kind of curse Gojo would become in a cursed AU… but i think i know now.

It’s Love. It’s Love all this time. The abandoned Love that withered and fell in a garden of deep purple, as fleeting as the seasons.

[satoru-nintendo]

I’m not addressing gojos letters because I don’t want to think about the fact that he sat down and KNEW he wasn’t gonna make it out but had full faith in those kids, I don’t want to think about him knowing that Megumi would have to live forever with the knowledge that Sakuna used him to kill Gojo and he purposely wrote a cute silly message (sowwy with a lil drawing of him) hoping (and succeeding) to make Megumi laugh especially after all he went through, how he sought out Nobara’s family cause he is estranged from his and he wants a better life for those kids than the life he had. And not to circle back to the whole killing all the elders of jujitsu society cause he wanted to protect the kids he is just sooo fundamentally good Ok DAMN I AM CRYING THINKING ABOUT IT

[orukkart]

wake up, sweetheart

it was just a nightmare.

------------------------------------

had to fix one thing, sorry for multiple posting!

[riaki]

OKAY EVERYONE IS SAYING GOJO DOESN'T DESERVE A HAPPY ENDING YES

BuT what if we could make it a little ANGSTY instead?? 👀 He gets his happy ending. His. Happy ending. You? Well.. Old habits die hard. This is what you wanted after all no? So what if he breaks his promises? What if your smile begins to fade? What if

What you said about later on reader and freckles growing apart cause freckles seemed nice it'd be a shame for him to be an ass

But that it's silly cause the irony is what if that freckle boy.. was just like Gojo but in a different light.

Being as it wasn't him who hurt reader, it was easy to overlook the fact of how similar he was to the old Gojo she knew before it became a shit show

Maybe she realizes that

Maybe she starts thinking

Maybe she drifts apart

And maybe Gojo comforts her but he's the last person she wants to see

Because it's these stupid feelings for Gojo that led her to this hell

And Gojo goes again

And he reels her in

And once he has her

Only to see as her smile begins to fade

As all the effort he had put in when he didn't have her start going away once again

And he starts to fall into old habits becoming the same as he was before, but this time, with you at his hand

As he slowly takes away your smiles again.

But it's okay, he'll make it right. Just...later. and later. And later...

You hope.

sorry I'm not good with angst sorry for any cringe 🤣

this is!! such!!! a good!!!! take!!!!!! on hsbully!gojo!!!!!! tbh this ask speaks for itself lol n dw anon! i rlly love the way u brought it :3 this is highschoolbully!gojo part 592727465527 *suggestive!

yeah. freckles boy isn’t that great of a person. maybe he tried but it didn’t work out; u dunno why but u keep seeing gojo in him— hints of satoru in ur life. like that stinky cologne he thinks is kinda cool but rlly doesn’t smell too good on ur bfs drawer, or the way he takes his coffee. honestly, if u squint, it almost seems like freckle boy is tryna copy gojo in a way…? but u don’t like thinkin abt him so u don’t blink an eye.

fast forward u broke up with freckle boy because something or other; the point is, u really didn’t feel anything with him. there might’ve been a spark, but it was really only artificial and had no wind to fan the flames. and since u got together gojo’s been distant; his smile seems dimmer and there’s always this faraway; foggy look that makes the brilliant azure of his eyes seem cloudy gray. but then ur catching up with him again and at some random frat party you get drunk and ur sense is inhibited and— u end up kissing gojo… oops.

so then u kinda enter this fwb state with him. and.. he’s pretty cool, right? he’s kinda evrything u want in a guy— tall, pretty, cool, strong, handsome, charming— it’s a package deal. but there’s also this… rift, between the two of you. see, ever since gojo lost u the first time, he’s always been so scared of pushing u away. so u stay fwb because he doesn’t wanna lose u again in case he’s feelin more than you are. but his heart doesn’t skip a beat when he sleeps with other girls and his chest doesn’t tighten like it does with u when he gets mouthfuls of fruity gloss from kissing other girls. but he forces himself to keep this wall up between the two of u because he just can’t risk losing you a third time.

it sucks for u too, though! gojo’s just a bit too dense to see it. whether it’s in his own nature, or he’s faking it. it’s probably the latter, but that’d mean he’s not being genuine again, n you don’t wanna think about it. but you’re gettin comfy with him and so is he, and you really do whole heartedly believe he’s changed this time, and for good. and it’s true! he has. but not in the way you thought. apparently, he’s exchanged being an ass with an unreachable ego to a pinch more genuine, but still an ass. it’s proved when u get to his apartment one rainy day ready to spend the weekend w/ him for a study date, but there’s clothes on the floor. dresses n stockings and a frilly blouse that you definitely think (or hope) don’t belong to gojo. unfortunately, your suspicions are confirmed when you lay eyes on the tangle of people on his bedroom through the crack in the door— this time, it’s your turn to run in a hurry. turns out, he got comfortable with you— all in the wrong way, thinking it’d be okay to sleep around. except he gives chase— after pulling on a pair of pants, of course.

eventually he catches up to you; you hate those stupidly long legs. catches your wrist and forces you to face him. in front of a chick fil a, nonetheless. he gets an overwhelming sense of deja vu— but he’s forcibly snapped out of it when je realizes you’re crying. and damn, you look gorgeous, and he wishes it would rain because the sunlight falls around you like liquid gold, framing your pretty face and reflecting prisms of rainbow in your tears.

once again, he doesn’t get it. why are you crying? it’s not like you were really serious or labeled, right…? and the entire reason you’d stayed that way was to avoid somethin like this. but gojo slowly comes to the realization that he’s fucked up big time— he has been since day 1. really, he should’ve found somebody cheaper to chase— you stole his heart and his pride, making him awkwardly and stiffly apologize to you in front of a fast food restaurant on some random crossing next to a train station. it’s only tense because he doesn’t really know how to apologize— he doesn’t have much experience with it, and for that he blames his ego.

but even so, he’s not ready for those big, sappy love confessions yet. you always made him feel so weird— correction: you still do. so you walk away somewhere between fwb and strangers. it’s always one step forward and two steps back with gojo. but maybe, just maybe— he can slowly rebuild your trust with some patience, empathy, and a lot of genuine love that he’s yet to realize he’s been nursing in his heart for you since the first time he laid eyes on you.

paaaaaaart one

[isaisliterallyhim]

can you do a fluffy drabble with gojo/reader? like very domestic cuddling teeth rotting fluff (⁠✯⁠ᴗ⁠✯⁠) tytytytyyy

hi anon! <3 yes i can in fact >:D gojo makes me so happy HAHA your wish is my command :3

" hold my hand until we turn to ashes "

ft. gojou satoru, ooc gojou (?), clingy! gojou cuddling (obv), gn! reader, kisses!, established relationship.

a/n: apologies if the english is bad TT also i cant write fluff the best :c

wc: 186

ִֶָ 𓂃⊹ ִֶָ imagine gojo trying to catch your attention by cuddling with you

you were on your phone as gojo was happily snuggling himself into you, inhaling the scent of your shampoo. he embraced you a little tighter, hoping you'd pay attention to him a little more. " mmm, [name]... " gojo whined.

you immediately melted at his touch. you placed your phone down and shifted yourself to face him. " 'toru?" you smiled sweetly as he held you tighter. you wrapped your legs around him as he kept hugging.

you were pressed against him. as you shifted your head to face him you smiled softly once more. GOD sent smile. gojo was actually fighting the urge to make out with you right then and there! you were so soft and comfortable!

he peppered kisses all over your face, in which you scrunched your face in return. "[name], i love you so much." he frowned. it's hard to see the strongest being so vulnerable. you giggled, "love you too, satoru."

falling asleep in each others arms, gojo had one last thought before knocking out, i hope they stay with me forever.

— ©isaisliterallyhim, 2024

a/n: aghhh, fluff :(( so sorry if this wasn't what you expect LMAO i'm v v bad at writing fluff i fear </3 and again sorry for the bumcheek englisj and how short this fic was smh hopefully you enjoyed this anon TT i have such a soft spot for gojo smh poor guy is so overworked.

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3 Part 5

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[j1mins-j4ms]

"Don't be so shy, Satoru!"

tw: satoru having inappropriate thoughts about the reader, subtle teasing, sub!satoru?? and fear of rejection!!

a/n: there's always popular!satoru x nerd!reader but no nerd!satoru x popular!reader so here I am >_<! i might make a part 2 bc im too lazy to continue this lol

"Y/N-chan! I-I did the physics homework y-you told me to.. I.. I hope it's good enough..!"

Please, please, please.. Just one compliment! I'm your good boy, Y/N-chan..! Please praise me..!

"Well done, Satoru! What a good boy!"

As Satoru handed over the notebook, he immediately turned into a shade of a tomato. He then felt a hand on his head. You? The most popular girl in school calling a peasant, no, a simp like him, a good boy and patting his head? Sure, he totally had a thing for a wide range of kinks, but this? Ohhhh, just thinking about it made his dick bulge. It's fine, atleast you won't notice it, right?

Unfortunately for him, your gaze landed upon that big growing tent of his, and winked.

"What's wrong, Satoru? You crying?"

Y/N-chan's gonna think I'm a useless idiot..! God, sh-shes so pretty.. I hope one day we can be together..! Wait.. what if.. she doesn't like me..?! Y/N-chan m-must like me, right..?! I'm her good boy..!

"N-No.. I'm not crying, Y/N-chan..! I-It's.. it's because I.. I have an english exam to prepare for..! Yeah..! g-gotta study, Y/N-chan..!"

And then he zoomed off into the toilets, to calm his hard cock, of course.

⋆. 𐙚 ˚五条 悟 short ff by j1mins_j4ms

[seiwas]

₊˚⊹｡ do you believe in love? | gojo satoru

wc: 808

summary: you’re both 23 when you first ask gojo about love.

contains: written with f!reader in mind but no pronouns are mentioned, a bit of sad, there is a swear, kind of a will-they-won’t-they, alludes to some of gojo’s possible internal struggles, might feel a bit ooc? but i like to think gojo does have serious conversations once in a while 

a/n: the kind of gojo i envision in this is inspired by all the teen dad/dad gojo fics that i’ve ever read, most notably 'teen dad gojo' by @seravphs and 'keeping up with the fushiguros' by @/augustinewrites. this isn’t an addition to any of their works, but the way they write and characterise gojo has shaped the way i understand him (and ultimately how i write him) in these little blurbs of mine :’) please do check their works out if you have the time, it’s some of my favourites!! :’)

collection masterlist: conversations on love you are here -> 02. tell me about love (show me how)

“Do you believe in love?” 

You don’t think he hears you at first, but that’s impossible; the night is quiet, with only you and Gojo sitting by the steps of the dormitory entrance. His dangly long legs brush against yours, lingering barely. 

Since Suguru’s defection, Gojo’s gotten a lot more contemplative. He hides it a lot, especially with Megumi and Tsumiki around, but there are times that you catch him spacing out. There’s a far away look on his face and his demeanor completely shifts, rambunctiousness fading into something more restrained, if only in that moment. 

Other times, you’re let into that space with him, like now. 

“I do.” he replies, uncharacteristically succinct. He doesn’t even look at you when he says it. 

You weren’t expecting it, to be honest. With everything that’s happened to him so far, you were ready for a flat out cynical ‘no’. But—

“But,” he continues, “not for me.” 

There’s the ‘but’. 

He turns to look at you, eyes covered by the bandages he’s been opting for more recently. You’ve known Gojo since you were both 15, and somehow, you’ve gotten good at guessing what he’s always hiding. 

“You wanna tell me why?” you nudge. You figure this is good for him—or at least you hope it is. 

Getting Gojo to actually sit and have a real conversation with you has been increasingly difficult since Suguru disappeared. Taking in the Fushiguros, then the higher ups assigning him missions back-to-back-to-back—it’s been a lot. And you worry about him, if he’s even been able to sit down and process everything, if he’s even given himself the chance to feel for once. 

“Not really,” he shrugs, turning back to the garden in front of you. There isn’t much to discuss, it either fits in his life or doesn’t. When he’s meant for a purpose much larger than himself, small wants remain at just that: small, negligible. 

You huff, unable to hide your disappointment, “Okay.” 

But, you respect him and what he wants (or does not want) to say. 

As you stare out with him, Gojo eyes you from the side, the pout on your lips a teenage souvenir you still carry now at 23. He breaks into a small smile, the corners of his lips curving up slightly, fondly. 

“It’s just not meant for me, that’s all.” 

He doesn’t look at you when he says that, too. 

You slowly avert your gaze from the grass in front of you, focusing on him instead. His smile is still there, although it feels resigned, like he’s accepted this long ago. 

Gojo has never been meant to handle something so delicate and fragile—his divinity keeps him untouchable from such pure things. 

Still, you want to tell him that that’s not true. That you think love is meant for everyone, even in this fucked up, cursed world—especially in this fucked up, cursed world. 

You want to tell him that love is meant for him too. 

“Do you wish it were?”

He hums, arms stretching back as he leans on his wrists. His head dips back, looking at the sky. There’s a pause, then an exhale before he continues, “There’s no point thinking about it, I guess.” 

A non-answer. You take what you can get; it’s hard enough getting Gojo to be honest with you, much less talk about things like this. The night continues this way: you exchange anecdotes about your latest missions, then talk about Megumi’s most recent involvement in a school incident. Serious questions pop up here and there but you don’t push, and Gojo is willing to share what he can. 

.

.

.

You are 23 when you first ask Gojo if he believes in love, and he does, but what he doesn’t tell you is this: that he only believes it because he sees it in you—through the things you do, for Megumi and Tsumiki. For him too. 

There’s always been this unspoken thing between the two of you. He doesn’t know what to call it—never has, but it’s comfortable and safe, so he tries to keep it that way. 

Suguru has left an unpatchable hole inside of him that only you can seem to touch, softening the jaggedy edges so it doesn’t cut as deep. When he first showed up with Megumi and Tsumiki that one Friday night, you had all the questions in the world; he could see it, feel it in the furrow of your brows and the tapping of your foot. But instead, you asked this: “Have you guys eaten dinner yet?”

Gojo cannot afford love, not yet. Not when there’s still so much at risk, still so much to do. The cons significantly outweigh the pros on both ends, so this will have to do for now—this unspoken thing, that he hopes one day, he can finally call for what it really is.

comments, tags, and reblogs are greatly appreciated ♡

[tatakaeeren]

"A menace to society"

[lotus-lamps]

like father like son

hes just toji but smol

[sashisuse]

THE VOICES.

[th3secr3th1story]

gojo and geto when you don't say "i love you" back

biggest losers ever

gojo

"baby, i'll see you soon, ok? don't miss me too much," gojo whined, attached to your hip as you rubbed his back.

he was assigned a mission somewhere in rural japan and likely wouldn't be back for a couple days, which was especially hard for the both of you seeing that you were never separated for more than 12 hours. (you and gojo were typically assigned to missions together, but this one wasn't a special-grade curse so it was only given to him. what a loser.)

"i should go," he sighed into your shoulder. "don't cheat, call me every day, don't start any new shows, don't go out, don't let anyone talk to you, buy tons of sweets for me, annoy megumi, punch nanami for me, don't for-"

"'toru! it's just a few days, i'll see you soon. just be careful, ok?" you giggled.

he (begrudgingly) removed himself from you, turning towards the door with a massive pout.

"alright, baby, i love you," he grouched.

"stay safe, 'toru! bring me back souvenirs," you smiled, waving at him.

except he didn't leave. he stood there, grinning at you expectantly, one hand on his mini suitcase and another on the doorknob.

when you simply kept waving at him, confused, his smile dropped.

"okay, fine. i guess i won't come home then," he said with a pout, glaring at you.

"huh?! what are you talking about?"

"well, since you clearly just want me to kill myself because you don't love me anymore, i guess i'll find someone else to marry," he sniffed.

"stop playing around, 'toru. you know i love you."

and just like that, gojo satoru was grinning like an idiot.

"okay, sweets, see you soon!"

and just like that, gojo satoru was out the door.

geto

the two of you were currently coddled up in your bed, you on top of geto as he massaged your scalp.

you weren't sure how long you both had been laying there, but neither of you wanted to move.

geto listened to you talk about your day, mainly filled with complaints about gojo and his weird behaviors.

you were currently telling him how itadori pranked fushiguro earlier that day in your class, barely able to suppress your giggles.

"-and then he put a fake spider on his shoulder. i swear, when fushiguro saw it i thought he was going to cry. it's so hard being a teacher sometimes, i forget that i can't laugh at the students."

geto chuckled lightly at the story as he listened to how happy you sounded retelling jujutsu high's antics.

once you finished, the two of you laid there in silence, simply enjoying each other's presence.

"you know i love you, right? you're the most important person in my life, y/n," he said softly.

you simply sighed and kissed his neck, happy to be in geto's embrace. but after a few seconds the head massaging stopped.

you whined and looked up to see why he paused. you were met with his dead stare.

"why'd you stop?" you asked, confused.

"'cause you don't appreciate me," he teased.

"no! you're my favorite man ever. i love you so much, suguru," you wailed, pressing his hand back on your head.

"man?"

"fine. you're my favorite person ever."

"person?"

"you're my favorite...organism ever?"

"that'll do, i guess," he mumbled, smiling.

geto resumed his ministrations and slowly lulled you to sleep with his light humming of a song gojo couldn't stop singing earlier that day.

(it only sounds good when it comes from him. no offense, gojo.)

[mrsoharaa]

thought of sitting down on your couch and watching a completely unrealistic "reality" love drama show with SatoSugu, both of their arms lounged comfortably behind you along the back of the cushioned furniture. you retort cunning, brash criticism from time to time with each passing scene/episode whenever something goes haywire, about how the men are repulsive and unloyal as fuck, all while Satoru leans in close to you and completely agrees with you, theatrics and all.

"That was so fucking disgraceful, what a asshole! she definitely didn't deserve that"

"Ughhhh, I know right?! he should've just came out and tell her to her face instead of pulling that shady shit! god, men ain't shit!"

and poor Suguru just glances back and forth between the two of you, enjoying the boisterous, distasteful remarks about the cheating partners in the current show you all were watching. he thinks it's silly and ridiculous, but he truly admires the full hearted admiration and passion that dwells in yours and Satoru's tone. the pure thrill and enticement in the both of your eyes filling his heart with so much love and adoration. he absolutely loves his silly, dramatic partners 💗

[yuwuta]

PLS PLS PLSSSSS keep talking about kids with olympic athletes! gojo and nanami pls pls pls i have to Know. everything u wrote about yuuta was already so so cute

(prev olympics au here)

the gojo twins are hilarious because your baby boy looks exactly like satoru, but has very little of his personality—it seems like the only things he inherited was satoru’s love for sweets and love for you. still, even though he’s a strong swimmer, he much prefers to relax in his floaties alongside you if you’re also in the pool, or chill by your side on a lounge chair, glasses too big for his face keeping the sun out of his eyes as he shares his smoothie with you, and asks to borrow your phone to take pictures of his sister and daddy in the pool. 

your baby girl on the other hand… she might have your face but she’s got satoru’s everything else—his competitive streak, his confidence, and definitely his mischievous nature. she’s the one who tiptoes into your bedroom at five in the morning, tapping at her daddy’s shoulders, and putting her little finger over his lip to shush him before he can wake you up; she’s always the one to convince satoru to take her swimming the backyard at the crack of dawn, and why by the time you and your baby boy wake up, she and satoru are already past warm up laps and swimming lessons and onto who can make the splashiest canonball competitions (she always wins because while her tiny body can endure a belly flop, satoru’s years of training physically doesn’t allow him to do it… and maybe because he’s not so competitive when it comes to his baby girl, he’ll always let her win). 

kento’s professional judo career honestly doesn’t last very long. after his first olympic games, you two start dating and he proposes just after he wins gold the second time he’s in the olympics; he does maybe two more years of national competitions while you’re pregnant, and decides that the intense training for the next two years in preparation of a third olympic competition isn’t worth missing time he could spend with you or your baby girl—plus, with all the money he’s made from competitions, winning gold medals, brand ambassadorships, commercials, and collaborations, he had enough money to provide for all of your for the rest of your lives. so, that’s what he does (his dream has always been to be a househusband, anyway...) his previous salaryman career comes in handy when deciding how to invest his money, how to buy a house, how to take care of his friends, how to set up a fund for your daughter, and an extra account or two… just incase more babies come along… 

by the time your baby girl is four, she’s already kento’s biggest fan. she loudly and proudly proclaims to everybody that her daddy was basically superman and won all the shiny trophies and medals in the house from when he was being a superhero. if anyone recognizes kento when they’re out together, she always confirms their suspicions, proudly boasting, “yeah kento is my daddy! he’s a winner!” it always makes kento’s heart swell to hear her praise. he doesn’t compete professionally anymore, but he does train from time to time, and has taken on a few mentees, and your daughter LOVES to watch him coach/train. she’s got her own uniform that she always puts on whenever they go to the gym together, and gets so excited when kento or ino or yuuji pretend to spar with her. 

she’s honestly kento’s mini figure. she’s respectful and reserved, but strong and knows when to fight and how to use her voice. there’s a time when he gets a call from her school saying that she got in a fight, the principal frames it as your daughter needlessly pushing around an older kid, but your daughter is certain in her words when she tells her dad that it was because the kid was being mean to the younger kids, and to her. kento doesn’t say a word to the teachers—doesn’t even fight them sending her home early for the day, because he’s happy to scoop her up and take her out for ice cream and tell her that he’s proud of her.

[saturnscherie]

༄ Gojo, Nanami & Choso

All three of them, without hesitation, put their lives on the line to protect the youth of someone else they cared about.

The same youth they couldn't have for themselves because it was destroyed by the corrupt society of Jujutsu Sorcery.

Being forced to witness their loved ones face unjust suffering because of that corrupt society, is what ruined their youths.

If Gojo didn't love Geto, he wouldn't understand why he needed to protect the students he chose to raise.

If Nanami didn't love Haibara, he wouldn't understand why he needed to protect the sorcerers who were younger than him.

If Choso didn't love his younger brothers, he wouldn't understand why he needed to protect Yuji, the brother he only knew for two months.

This is why they weren't afraid to die. Especially, if it meant they had the chance to prevent another youth, from getting stolen.

And…all three of them would die…doing just that.

It seems at that moment, death wasn't so bad because all three of them were able to die, with a smile.

They were finally reunited in the afterlife, with their loved ones, who were waiting patiently for them to arrive.

I'm not sure if the three of them watched from the afterlife, but a part of me wishes they knew, just how much their efforts to protect someone else’s youth, would pay off in the end. ♡